About Touch Radio
[192 Kpbs/44.1 Khz/Stereo unless stated]
All these recordings are exclusive to TouchRadio and are free to listen.
When you click on the audio title you will be directed to a mp3 file. On editions with multiple mp3 files, the link directs to a single .m3u playlist file which will play the mp3s in sequence when opened in your audio player. You can also subscribe for free to the TouchPod podcast of TouchRadio, via the iTunes Music Store, by clicking here, or our podcast feed here
The British Library is home to the UK’s national collection of radio recordings in its Sound Archive. On 18th November 2010, the entire collection was handed over to and shared with The British Library, and is now a "named collection" within the Library's Archival Sound Recordings website. You can read more about this here.
Touch Radio 100 | BJNilsen
19.11.13 - Bottomless Perfume - 33:00 - 320 kbps
So we pause where we began, with BJNilsen (see TouchRadio 1)...
Archival Recordings, Mixed in Berlin October 23, 2013, containing Bits and Pieces from:
Beachy Head, Eastbourne, England
Karl Marx Tomb, Highgate Cemetery, London, England
Whitstable Bay, Kent, England
CleanCar Berlin, Mitte, Germany
Temple Gas Works, Glasgow, Scotland
Fruitmarket City Hall, Glasgow, Scotland
Port of Montreal, Quebec, Canada
Carlsberg Brewery, Copenhagen, Denmark
Unknown Music School, Naples, Italy
Galleria Umberto, Naples, Italy
Barbed Wire, Todmorden, England
Side Street, Lisbon, Portugal
Tempelhof Airfield, Berlin, Germany
Cave, Durness, Scotland
Fishmarket, Via Tribunali, Naples, Italy
Hatún, Reykjavik, Iceland
The Jacobite Steam Train, Armadale, Scotland
London Olympic Rehearsal, Islington, London, England
Boleskine Cemetery, Scotland
Train Bridge, Nijmegen, Netherlands
Continue reading: Touch Radio 100 | BJNilsen
Touch Radio 99 | Simon Fisher Turner
20.10.13 - The Invisible Frame - 26:55 - 320 kbps
"I was invited to Berlin to record the filming process by the director, Cynthia Beatt, for ten days. I shot the sound as they filmed and every evening I made a new piece from the day's rushes. We went to many locations around the invisible wall and its remains. For about an hour I was allowed to wander unsupervised and recorded whatever I wanted. This recording is an edited version of the master."
Continue reading: Touch Radio 99 | Simon Fisher Turner
Touch Radio 98 | Group Three
11.09.13 - Group Three - Live - 26:53 - 320 kbps
L@TE: Friday Night at BAM/PFA
July 26th, 2013
University of California Berkley Art Museum & Pacific Film Archive
Thingamajigs and Sasha Hom created 9 long vertical scrolls, at once musical score, artwork, poetry, and cartography that ascended the cavernous space, catalyzing the musical performances of three different improvising groups and transforming Gallery B into a collaborative map.
Kaori Suzuki - original hand built MEM analog synthesizer
Marshall Trammell - percussion
Zachary James Watkins - electronics
Continue reading: Touch Radio 98 | Group Three
Touch Radio 97 | Protest!
20.07.13 - Protest! - 2:06 - 320 kbps
Protests are under way in dozens of American cities, a week after George Zimmerman was cleared of murdering unarmed black teenager Trayvon Martin. This one was recorded in Hollywood.
Touch Radio 96 | Aino Tytti
09.07.13 - Hellissandur Mast [GRD 7970] - 16:49 - 320 kbps
Photograph: Peter Caeldries
The remote Snaefellsness Peninsula in Iceland is home to the tallest structure in Western Europe. A transmitter built originally in 1963 as a long-range, low-frequency (LORAN-C) navigation system and now used for longwave public radio purposes.
During a recent sound recording trip to Iceland, i was fortunate enough to gain access to the transmitter facility and able to take a series of field recordings, using an array of contact microphones attached to the mast and supporting guy wires.
Several of these recordings were particularly arresting, capturing the structure as it radiated a myriad of constantly shifting harmonic progressions, in response to the hot Icelandic summer sun and strong icy winds blowing in from the nearby Snaefellsjökull glacier. These two extremes combined caused rapid expansions and contractions in the 200-700metre steel support wires and core mast, to produce a spiralling, ever-changing, kaleidoscopic drone.
Of particular note as well, during a quiet point in the recording, my microphones started to pick up the audio of the longwave radio transmission. A graceful violin solo for 3 minutes, before the sun broke through the clouds and caused the structural resonance of the mast to increase once more, drowning out the radio with a music of the structure's own making.
Particularly beautiful is the notion that there is an ever-changing and constantly-in-flux sound emanating from this structure; an unbroken music, in direct response to its environment, which has been playing in constant form for the last 50 years. The sounds captured here represent a snapshot in time taken on the 15th June 2013, the specifics of which have never been, and will never be, repeated.
JRF C-series contact mics | Sound Devices 702 | Marantz PMD 661
Izotope RX | Max/MSP
With thanks to Jez Riley French and Chris Watson
Continue reading: Touch Radio 96 | Aino Tytti
Touch Radio 95 | Tony Myatt
15.05.13 - Placencia Bay - 16:32 - 320 kbps
Photograph: Peter Worth
Equipment used: 4 x Reson 4042 Hydrophones, rigged for MS recording, post-processed using Max/MSP; Nagra VI recorder.
Location: Placencia Bay, Belize.
Date: 13th December 2012.
After a long day of finicky experimentation in the sun, I returned to the bay to wash salt water from the equipment and to hose down. From 16°30'37"N, 88°22'1"W I looked out on a tranquil evening scene and decided to attempt one last recording.
I had recorded throughout the day in shallow coral seas off the coast of Belize. I’d attempted to capture a spatial impression of the clouds of clicks and pops produced by crustacea and who-knows-what; a sound present at almost every ocean location on Earth.
In the evening bay one boat was at anchor, a jet ski idled around and I saw a couple of tiny and distant fishing boats. Yet the underwater acoustic landscape was dense, quite different from the gentle evening scene that played out above the water.
I assembled this sequence of recordings to share my experiences of these two places. The recordings made among the shallow reefs are filled with crustacea sounds punctuated by communication calls between toadfish and an occasional dolphin.
Other impressions of this remote environment came to light when I auditioned the recordings back in the studio. The hydrophone rig became a barometer for other encounters. The tiniest brushings with what appeared to be fluffy fingers of soft coral revealed their harsh surface, rasping and gritty. As the evening currents shifted and strengthened “strumming” hydrophone cables conveyed the power of the underwater gales.
Many thanks to Francesca von Habsburg and the T-B A21 Academy for the opportunity to record in these places.
Touch Radio 94 | Urban Dawn Chorus
01.05.13 - Urban Dawn Chorus - 49:46 - 192 kbps
Recorded in Balham, south west London, from 0400 HRS 1st May 2013
Touch Radio 93 | Robert Curgenven
16.04.13 - Live at The Exchange, Cornwall 12th August 2011 - 16:27 - 320 kbps
Unprocessed recordings of a 16 foot pipe organ - built 1861, standing in a 13/14th Century rural church in West Penwith, Cornwall), guitar feedback, unprocessed field recordings, ventilator and microtonal dubplates & turntables.
Field recordings from contained and reverberant spaces in the cities of Berlin (2007), Tokyo (2006), Sydney (1999), Milan (2008), Hamburg (2009) and Osaka (2006).
Live 8-channel diffusion at The Exchange, Penzance, Cornwall as a response to the exhibition "An Urban Silence" curated by Blair Todd. Diffusion through 8 Genelec 8040A monitors with 7070A & 7050B subwoofers courtesy of University College Falmouth/Dartington College & Rob Gawthrop.
Live room recording by Martin Clarke
Mixed and mastered by Robert Curgenven
Continue reading: Touch Radio 93 | Robert Curgenven